PROCESSING> Compression 4:1/6:1 slow attack med release.Īpply a little cut at 300Hz and some boost between 40Hz and 80Hz.Īpply cut somewhere in the 100Hz to 500Hz range. I’ve uploaded a Guide-to-Mixing/mastering (this is not my work).īelow is a quick frequency map for audio which explains particular sections:Ģ0 Hz and below – impossible to detect, remove as it only adds unnecessary energy to the total sound, thereby most probably holding down the overall volume of the trackġ00-120 Hz – the “club sound system punch” resides hereĢ50 Hz – notch filter here can add thump to a kick drumĨ00 Hz-4 KHz – edge, clarity, harshness, defines timbreĤ500 Hz – exteremly tiring to the ears, add a slight notch hereĤ-9 KHz – brightness, presence, definition, sibilance, high frequency distortionĩ-15 KHz – adding will give sparkle, shimmer, bring out details – cutting will smooth out harshness and darken the mixĦ0Hz with a Q of 1.4 - Add fullness to kicks.ĥKhz with a Q of 2.8 - Adds attack to Kicks

Mixing and mastering pdf